Top Girls

Written by: Caryl Churchill

Directed by: Cameron Watson

ADVISORY

Recommended for Ages 16+

Politics get personal in the go-getting 1980s of Margaret Thatcher’s England when Marlene, who has just been made managing director of the Top Girls Employment Agency, discovers that life above the glass ceiling is not all it’s cracked up to be. An insightful commentary on bourgeois feminism, this bold and ingenious work offers one of theater’s most honest portraits of what it means to be a woman in the modern world. Shoulder-pads may no longer be in fashion, but Churchill’s masterpiece continues to resonate.



PRODUCTION TEAM

Scenic Design: Stephen Gifford
Costume Design: Terri A. Lewis
Properties Design: Alyson Schultz
Production Stage Manager: Lara Nall
Lighting Design: Jared Sayeg
Sound Design/Original Compositions: Jeff Gardner & Ellen Mandell
Dialect Coach: Nike Doukas
Assistant Stage Manager: Kristin Weber
Production Electrician: Chris Osborne
Technical Director: R. Scott Thompson
Production Manager: Adam Meyer
Electricians: Tennyson Stead, Spencer Rowe, Michael Hyland
Set Construction: Red Colgrove & Colgrove Scenery
Assistant Directors: Maureen Lenker & Shaina Rosenthal
Scenic Painter: Orlando de la Paz

Cast

Rhonda Aldrich*

POPE JOAN/LOUISE

Shannon Lee Clair*

PATIENT GRISELDA/NELL/JEANINE

Julia Davis*

WAITRESS/KIT/SHONA

Etta Devine

DULL GRET/ANGIE

Karianne Flaathen*

ISABELLA/JOYCE/MRS.KIDD

Kimiko Gelman

LADY NIJO/WIN

Alexandra Goodman

WAITRESS/KIT/SHONA

Abigail Marks*

DULL GRET/ANGIE

Linda Park*

LADY NIJO/WIN
DULL GRET/ANGIE

Elizabeth Swain

POPE JOAN/LOUISE

Jeanne Syquia*

PATIENT GRISELDA/NELL/JEANINE

Production Team

Cameron Watson

Director

Caryl Churchill

Playwright
*member, Actor’s Equity Association, the union of professional Actors and Stage Managers in the U.S. This production is presented under the auspices of the Actors’ Equity Los Angeles Membership Company Rule

“Totally smashing.”

ArtsinLA

“Bravo to Antaeus for another sterling production!” 

Grigware

“Top Girls is definitely a must-see.”

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