A series of master classes in classical scene work moderated by a variety of Antaeus members as well as other acclaimed professional directors and actors.
At Antaeus, we believe mastering the acting challenges of great classics takes a lifetime and that the desire to take on these challenges is central to achieving great acting. Here, we’re constantly putting young artists-in-training together with seasoned professionals – in the classroom, in readings, workshops and in full productions — so that skills, work ethics and inspiration are not just taught but ‘passed down.’
Ms. Hackett has been part of the Artistic Leadership team of Antaeus for the past 8 years. She has been a professional actress for over 20 years, and has appeared in classical and new plays on Broadway (including Stella in A Streetcar Named Desire with Blythe Danner), as well as many off-Broadway productions. She trained at the Royal Academy of Dramatic Art in London, at the Circle in the Square Theatre School in New York and is a graduate of NYU’s acting program. She appeared at the Williamstown Theatre Festival with legendary actors Rosemary Harris, Frank Langella, Colleen Dewhurst and Christopher Reeve among many others. Her television work includes guest stars on The West Wing, The L Word, Criminal Minds, and film work includes King of California and Kids in America with Topher Grace. In Los Angeles theater she has played leading roles at South Coast Repertory Theatre, Pasadena Playhouse, The Cannon Theatre (The Vagina Monologues), and at The Matrix Theatre (The Seagull, Ovation Award: Best Ensemble.) At the Odyssey Theatre she played Clytemnestra in the 8 hour marathon play The Greeks, which she also co-directed with Ron Sossi. She is the former Artistic Director of LA’s Classical Theatre Lab where she directed Tennessee Williams, A Celebration, a theatre piece which she originally conceived with renowned director Nikos Psacharopoulos for The Williamstown Theatre Festival. She is the founder and director of the Antaeus Company’s Academy, a classical theatre training program for emerging young actors. With John Apicella, she creatively oversaw Antaeus’ acclaimed mainstage productions, as well as creating a series of Antaeus events called CLASSICSFEST — a gathering of over 100 actors in the summer for the presentation of readings and workshop productions of classical plays and new plays with classical themes. Jeanie is the author of two books on acting: The Actor’s Chekhov, and Toward Mastery, both based on the work of director Nikos Psacharopoulos.
Mr. Wade is just back from three months playing the title role in the world premier of Lincoln: Upon the Altar of Freedom. He has performed on and off-Broadway and continues to work extensively in regional theater, including several seasons at the Cincinnati Playhouse in the Park and The Rep Theatre of St. Louis; also Pennsylvania Stage, Center Stage, GeVa, the Guthrie, Denver Center, Carbonell nominated performances at the Caldwell, and a long association with Vermont’s Weston Playhouse). His LA theater credits include Heathen Valley and The Savannah Option as well as award-winning productions of The Man Who Had All The Luck, Mercadet and Mother Courage along with numerous other Antaeus shows. He works in episodic television, and in radio and on tour with LA Theatre Works. He trained at The Central School of Speech and Drama in London. He has taught at the Antaeus Academy since 2001.
Gregory Itzin has been making his living as an actor for quite a while now. At the moment Mr. Itzin is probably best known for his portrayal of President Charles Logan on the TV show 24, a role for which he received an Emmy Nomination in 2006. Mr. Itzin has appeared on 130+ other TV shows including (as a regular or recurring character) Murder One, The Nutt House, Boston Legal, The Practice, Philly, Something Wilder, L.A. Law, Picket Fences, Eerie, Indiana, and can at present be seen as Agent Minelli in the CBS series The Mentalist. As a guest star he has appeared on: Star Trek:Deep Space Nine, Voyager, and Enterprise; NYPD Blue, ER, Chicago Hope, CSI, JAG, NCIS, Profiler, The Pretender, Firefly, etc. Movie appearances include: Fear and Loathing in Las Vegas, Original Sin, Life or Something Like It, Airplane!, Best Little Whorehouse in Texas, Adaptation, Evolution, etc. His numerous stage credits include several Dramalogue awards, three L.A. Drama Critics Circle awards, a Drama Desk and Tony Award nomination. Venues include: Broadway, The Kennedy Center, Mark Taper Forum, South Coast Repertory, The Old Globe, The Intiman Theatre, The Public Theatre, The Actor’s Playpen, and his theatrical home, The Matrix Theatre, where he is a company member and award winner for such productions as Endgame, Waiting For Godot, The Homecoming, The Birthday Party, Dealing With Claire, and the World Premiere of Yield Of The Long Bond. Other personal theatrical milestones include: The Kentucky Cycle which he performed in at the Intiman Theatre, Mark Taper Forum, The Kennedy Center, and Broadway and for which Mr. Itzin received the aforementioned Drama Desk and Tony nominations; ALL Brian Friel plays performed (Translations, Philadelphia, Here I Come!, Faith Healer, Lovers), Mercutio, Benedick, Richard II, The Fool in Stand Up Shakespeare, and the insane Al Sereno in Road To Nirvana. Mr. Itzin resides in Los Angeles with his amazing wife Judie and some dogs and cats and has two children out in the world; Julia and Will, of whom he is very proud.
Her recent directing credits include A Midsummer Night’s Dream at Cal State, Long Beach, Medea for the Antaeus Company and Macbeth for NY State Theatre Institute. Other credits include Pam Gems’ Camille, Stoppard’s Arcadia, The Winter’s Tale, an all-female Hamlet, two plays by Aphra Behn: The Rover and The Lucky Chance, Susanna Centlivre’s The Wonder, Timberlake Wertenbaker’s Our Country’s Good and The Love of the Nightingale, Mishima’s Hanjo and the NY premiere of Wendy Kesselman’s The Executioner’s Daughter. She teaches at the Shakespeare Sedona Institute and at the Michael Howard Studio in Manhattan. She was a participant in the National Endowment for the Humanities 2002 summer institute, Shakespeare’s Staging :Inside and Out at the Blackfriars Theatre in Virginia and at Shakespeare’s Globe in London and holds a doctorate from the City University of NY.
Michael Hackett is a Professor of Theater in the School of Theater, Film and Television at UCLA. He has directed for the Royal Opera, Covent Garden; the Royal Theatre at the Hague; the Centrum Sztuki Studio and Dramatyczny Theatre in Warsaw; the Los Angeles Philharmonic at the Hollywood Bowl; the Los Angeles Opera (children’s series); LA Theatre Works and the Getty Museum. He was the artistic producer for Robert Wilson?s King Lear at Studio One, Metromedia in Hollywood and he was co-producer, with the Museum of Contemporary Art in Los Angeles for two radio plays directed by Peter Sellars. His presentation on 18th century French children’s costume, “Dressing for the Carnival,” was commissioned for the opening day of the Getty Center. Recently he has directed and composed fragments from Elektra by Euripides for the Eugene O’Neill Theater Center in Connecticut and he has directed six productions for KCRW and KPCC/National Public Radio including Wilde’s An Ideal Husband with Jacqueline Bisset, Martin Jarvis, and Alfred Molina.
Nike Doukas has performed regionally at South Coast Rep (including Barbara in Major Barbara, Beatrice in Much Ado, Raina in Arms and the Man, Eliza in Pygmalion, Elvira in Blithe Spirit and in the world premieres of Richard Greenberg’s Everett Beekin, and Amy Freed’s The Beard of Avon), The Mark Taper Forum (The Wood Demon with Antaeus, and The Affliction of Glory, a joint project with the Getty), The Old Globe (Much Ado), A.C.T., in Seattle (Communicating Doors and the world premiere of Donald Margulies’ God of Vengeance), Berkeley Rep (The Importance of Being Earnest), and the American Conservatory Theatre (including Private Lives and The Majestic Kid), and seasons at Shakespeare Santa Cruz, the Berkeley Shakespeare Festival and Shakespeare Festival LA. Recent TV credits include guest spots on Without a Trace, Criminal Minds, Blind Justice, Boston Legal, Malcolm in the Middle, NYPD Blue, Judging Amy, and recurring roles on Desperate Housewives, Almost Perfect, and The Guardian. She has an M.F.A. from the American Conservatory Theatre.
Barry Creyton is an Australian actor and playwright. Creyton began his professional career in radio and revue in Australia. He is probably best known as one of the stars and writers of the satirical comedy television series The Mavis Bramston Show. He also authored two successful plays for Sydney’s Music Hall Theatre: Lady Audley’s Secret, in which he also starred, and How The West Was Lost, a satire on the TV western genre. Creyton moved to England for nine years, playing in comedy, dramatic roles, and revue in the West End. He played a leading role in the BBC’s popular radio serial Waggoner’s Walk, and was a frequent broadcaster for the BBC World Service. He also wrote a farce for the stage, Follow That Husband, which was produced by Ray Cooney. In 1977, Creyton returned to Australia. During the next ten years he worked in TV, film, and theatre. He was a lead writer on the TV series Carson’s Law and contributed regular episodes to its long run, at the same time writing comedy material for The Mike Walsh Show; he also appeared in some ninety guest spots on this variety show. In 1987, he directed the musical Nunsense which broke box office records all over Australia. With the author’s permission he revised the dialogue for Australian audiences, an exercise he repeated for Irish audiences in the Dublin production which he directed in June 1988. His play, Double Act has been produced in over twenty languages. In 1988, Creyton was honored with the Norman Kessel Memorial Award for his contributions to Australian theatre as actor, playwright and director. Since 1989, he has worked almost exclusively in the United States where he has written movies-of-the-week for TV. He wrote all the sketch material for the off Broadway revue Secrets Every Smart Traveler Should Know which ran for two and a half years in New York. In 1996, Barry returned to Australia to star in the Queensland State Theatre Company’s production of Coward’s Blithe Spirit. He returned to Sydney to direct and star in his own play Valentine’s Day at Marian Street Theatre where it played to capacity. Valentine’s Day is currently playing in Germany (Valentinstag) and in Holland (Valentijnsdag). Two years later, he wrote, directed and starred in the bitter-sweet comedy Later Than Spring, also for Marian Street and to critical acclaim. In 2007 he again co-starred with Noeline Brown in the play Glorious at the Ensemble, Sydney. His novels, The Dogs of Pompeii and Nero Goes to Rome, co-authored with American writer Vaughan Edwards, are published by Random House.