NORTH HOLLYWOOD, CA - May 18,
2010 - "Blow, winds, crack your cheeks! Rage! Blow!" The Antaeus
Company, L.A.'s classical theater ensemble,
opens ClassicsFest 2010 with its
first full production of a Shakespeare play. Bart DeLorenzo directs King Lear with renowned scholar,
actor and Antaeus founding artistic director Dakin Matthews and Broadway veteran/three-time Tony nominee Harry
Groener heading two fully double-cast
ensembles. Two gala openings, one with each cast, take place on Saturday, June 26 at 8 pm and Sunday, June
27 at 4 pm, with performances continuing
through August 8 at Antaeus' interim home, Deaf West Theatre in the NoHo Arts
District. Low-priced previews begin June 12.
King Lear is the politically
resonant, timeless and searing story of an aging monarch, a kingdom divided and
a family in turmoil. Lear's decision to divide his kingdom among his three
daughters ignites a firestorm of greed and betrayal. Displaced as king and cast
out as patriarch, Lear discovers the fragility of familial bonds as he descends
into madness. Shakespeare's sublime poetry infuses this towering tragedy, a
tale of family, duty, politics and mortality.
King Lear marks the first full production of a Shakespeare play
in The Antaeus Company's 19-year history.
"We chose Lear because it's
a fantastic ensemble piece, and because we wanted to feature our founding
artistic director, Dakin Matthews," explains artistic director Jeanie
Hackett. "Dakin is one of the country's foremost interpreters
of the Bard, and this is an opportunity to explore a Shakespearean play with
the master. We double-cast all our productions, a technique that strengthens
the way we collaborate and work together as an ensemble, so we're incredibly
fortunate to have the equally superlative actor Harry Groener to share the
title role."
Widely regarded as Shakespeare's greatest tragedy and arguably one of
the greatest English-language plays ever written, King Lear explores domestic, spiritual and political themes in
a primal world and an ambiguous time that could just as easily be hundreds of
years ago or hundreds of years from now. Harold Bloom, writing in "The
Invention of the Human," calls King Lear a play that shows "an apparent infinitude that
perhaps transcends the limits of literature."
"Many productions are opening in the U.S. and around the world this
year, and that's not a coincidence" notes DeLorenzo. "Everything is
in flux: the economy, health care, the political power structure. When the
world is changing, theaters do Lear."
In addition to Matthews and Groener, the ensemble features Allegra
Fulton and Kirsten Potter as Goneril; Francia DiMase and Jen Dede as Regan; Rebecca Mozo and Tessa Thompson as Cordelia; Ramon
De Ocampo and John Sloan as Edgar; Daniel Bess and Seamus Dever as Edmund; JD Cullum and Stephen Caffrey as the Fool; Robert Pine and Norman Snow as Gloucester; Morlan Higgins and Gregory Itzin as Kent; Kevin Daniels and Adrian Latourelle as Cornwall; and John DeMita and Thomas Vincent Kelly as Albany. Rounding out the cast
are Adam Meyer, Brett
Colbeth, Gabriel Diani, Jeff
Doba, Drew Doyle, Jeff Gardner, Bruce Green, Jason Henning, John Francis O'Brien, Renata Plecha, Jeremy Shouldis and Paige
Wilson.
A multiple award-winning director, DeLorenzo is working with Antaeus for
the first time. "This is an opportunity to explore one of the world's
great plays with a company of actors who can do the work justice," he
says.
Adds Hackett, "Antaeus is unique because we do weeks, months,
sometimes years of exploratory work on a single play before even beginning to
rehearse. It's a very intensive and in-depth process, and perhaps one of the
reasons that many of our productions are so successful."
Set Design for King Lear is by Tom
Buderwitz; Lighting Design is by Lap Chi Chu; Costume Design is by A. Jeffrey Schoenberg; Sound Design is by John Zalewski; Prop Design is by Jen
Prince; Production Stage Manager is Deirdre Murphy; and Young Ji produces.
Bart DeLorenzo is founding Artistic Director of the Evidence Room in Los
Angeles where he has directed many plays over the last 15 years including local
and world premieres by Charles Mee, David Greenspan, Kelly Stuart, Philip K.
Dick, Gordon Dahlquist, Martin Crimp, David Edgar, Naomi Wallace, and Edward
Bond, as well as his own adaptation of Dickens' Hard Times, Chekhov's The Cherry Orchard, and Schiller's Don Carlos, among many others. His recent freelance work
includes the world premieres of Roberto Aguirre-Sacasa's Doctor
Cerberus and Donald Margulies' Shipwrecked!
An Entertainment at South Coast Repertory
(later revived at the Geffen Playhouse); the world premiere of Joan
Rivers: A Work in Progress by a Life in Progress at the Geffen; Sarah Ruhl's Dead Man's Cell Phone at South Coast Rep; Racine's Britannicus at Cal Rep; and Around the World in 80
Days at the Cleveland Playhouse. Most
recently, he directed Charles Mee's bobrauschenbergamerica for TheSpyAnts at Inside the Ford, Adam Bock's The
Receptionist and Caryl Churchill's A
Number at the Odyssey, and the world
premieres of Justin Tanner's Voice Lessons at the Zephyr, and Michael Sargent's The Projectionist at the Kirk Douglas. For his work, he has received
five LA Weekly awards and three Back
Stage Garlands.
The Antaeus Company, L.A.'s classical theater
ensemble, has a 19-year history of providing quality classical theater in Los
Angeles. Through productions, readings and workshops; through educational
outreach to the community; and through acting training programs for young
professionals, the Antaeus mission remains steadfast and simple: to keep
classical theater vibrantly alive in ourselves and in our community. Members of
the company and its board span a wide range of age, ethnicity and experience;
they have performed on Broadway, at major regional theaters across the country,
in film and television, and on local stages, and are the recipients of multiple
accolades including Tony, Los Angeles and New York Drama Critics Circle,
Ovation, LA Weekly, and Back Stage Garland nominations and awards.
King Lear is the centerpiece of The
Antaeus Company's 5th biennial ClassicsFest. Beginning July 6 and continuing
for six weeks through August 15, ClassicsFest offers an invigorating "summer
splash" of actor-initiated workshops, readings, and special events on
Tuesday, Wednesday and Thursday evenings and Saturday afternoons, including Peace
In Our Time by Noël
Coward; Les Femmes Savantes by Molière; Puntila and Matti by Bertolt Brecht; The Helen Fragments by Euripides and others; Les
Blancs by Lorraine
Hansberry; Arcadia by Tom Stoppard; The Malcontent by John Marston; Juno and the Paycock by Sean O'Casey; The Merry Wives of
Windsor by William Shakespeare; Faith
Healer by Brian
Friel; and The Capulets and Montagues by Lope de Vega. The Festival features over 100
actors, and all readings and workshops have a very accessible $10 ticket price.
King Lear has
two openings, each with a different cast, on Saturday, June 26 at 8 pm and Sunday, June 27 at 4 pm. Performances continue through August 8 on Fridays and Saturdays at 8 pm and Sundays at 2:30 pm
and 7:30 pm. There will be one
Thursday performance on July 1
at 8 pm, and no 7:30 pm
performance on Sunday, July 4.
Previews take place Tuesdays through Fridays at 8 pm, June 12 through June 25. Tickets
range from $30.00 - $34.00 except Opening Nights which are $75.00 and previews which are $20.00. The Antaeus Company's interim home is located in Deaf West Theatre, 5112 Lankershim Blvd., North Hollywood, CA 91601 (in the NoHo Arts
District). For reservations and information,
call (818) 506-1983 or visit online at www.Antaeus.org.
MORE‑MORE‑MORE
DETAILS FOR CALENDAR LISTINGS
KING LEAR
WHAT:
King Lear - The Antaeus
Company, L.A.'s
classical theater ensemble, presents its first full production of a Shakespeare
play, the second offering of the troupe's inaugural subscription season and the
opening of ClassicsFest 2010. This timeless masterpiece of domestic tragedy is a tale of
fathers and their unloved sons and daughters, of catastrophic change, and of
the individual at the mercy of a hostile world. Bart DeLorenzo directs renowned scholar, actor and
Antaeus founding artistic director Dakin Matthews and
Broadway veteran/three-time Tony nominee Harry Groener, who are double cast in the title
role.
WHO:
Written by William
Shakespeare
Directed by Bart DeLorenzo
Ensemble:
Daniel Bess, Stephen Caffrey, JD Cullum, Kevin Daniels, Ramon DeOcampo, Jen Dede, John DeMita, Francia DiMase, Allegra Fulton, Harry
Groener, Morlan Higgins, Gregory Itzin, Thomas Vincent Kelly, Adrian Latourelle, Dakin Matthews, Rebecca Mozo, Robert
Pine, Kirsten Potter, John Sloan, Norman
Snow, Tessa
Thompson
Also featuring:
Adam Meyer, Brett Colbeth, Gabriel Diani, Jeff Doba, Drew
Doyle, Jeff Gardner, Bruce Green, Jason
Henning, John
Francis O'Brien, Renata Plecha, Jeremy Shouldis Paige Wilson
WHEN:
Previews: June 12 - June 25
Performances: June 26 - August 8
Tuesdays at 8 pm: June 15, 22
(previews)
Wednesdays at 8 pm: June 16, 23 (previews)
Thursdays at 8 pm: June 17, 24 (previews); July 1
Fridays at 8 pm:
June 18, 25 (previews); July 2, 9, 16, 23, 30; August 6
Saturdays at 8 pm: June 12, 19
(previews); June 26 (Opening); July 3, 10, 17, 24, 31; August 7
Sundays at 4 pm:
June 13, 20 (previews); 27 (Opening)
Sundays at 2:30 pm: July 4, 11, 18,
25; August 1, 8
Sundays
at 7:30 pm: July 11, 18, 25; August 1, 8 (dark July
4)
WHERE:
THE ANTAEUS COMPANY
Deaf West Theatre
5112 Lankershim Blvd.
North Hollywood CA 91601
(one block
south of Magnolia - ample street parking)
HOW:
(818) 506-1983 or www.Antaeus.org
TICKETS:
Opening Nights*
(June 26 & 27): $75
Thursday, Friday and Sunday night: $30
Saturday night and Sunday matinee: $34
Previews: $20
ClassicsFest Workshops and
Readings: $10
*Antaeus
has two opening nights, as all productions are fully double-cast.
###
NORTH HOLLYWOOD, CA - May 18,
2010 - "Blow, winds, crack your cheeks! Rage! Blow!" The Antaeus
Company, L.A.'s classical theater ensemble,
opens ClassicsFest 2010 with its
first full production of a Shakespeare play. Bart DeLorenzo directs King Lear with renowned scholar,
actor and Antaeus founding artistic director Dakin Matthews and Broadway veteran/three-time Tony nominee Harry
Groener heading two fully double-cast
ensembles. Two gala openings, one with each cast, take place on Saturday, June 26 at 8 pm and Sunday, June
27 at 4 pm, with performances continuing
through August 8 at Antaeus' interim home, Deaf West Theatre in the NoHo Arts
District. Low-priced previews begin June 12.
King Lear is the politically
resonant, timeless and searing story of an aging monarch, a kingdom divided and
a family in turmoil. Lear's decision to divide his kingdom among his three
daughters ignites a firestorm of greed and betrayal. Displaced as king and cast
out as patriarch, Lear discovers the fragility of familial bonds as he descends
into madness. Shakespeare's sublime poetry infuses this towering tragedy, a
tale of family, duty, politics and mortality.
King Lear marks the first full production of a Shakespeare play
in The Antaeus Company's 19-year history.
"We chose Lear because it's
a fantastic ensemble piece, and because we wanted to feature our founding
artistic director, Dakin Matthews," explains artistic director Jeanie
Hackett. "Dakin is one of the country's foremost interpreters
of the Bard, and this is an opportunity to explore a Shakespearean play with
the master. We double-cast all our productions, a technique that strengthens
the way we collaborate and work together as an ensemble, so we're incredibly
fortunate to have the equally superlative actor Harry Groener to share the
title role."
Widely regarded as Shakespeare's greatest tragedy and arguably one of
the greatest English-language plays ever written, King Lear explores domestic, spiritual and political themes in
a primal world and an ambiguous time that could just as easily be hundreds of
years ago or hundreds of years from now. Harold Bloom, writing in "The
Invention of the Human," calls King Lear a play that shows "an apparent infinitude that
perhaps transcends the limits of literature."
"Many productions are opening in the U.S. and around the world this
year, and that's not a coincidence" notes DeLorenzo. "Everything is
in flux: the economy, health care, the political power structure. When the
world is changing, theaters do Lear."
In addition to Matthews and Groener, the ensemble features Allegra
Fulton and Kirsten Potter as Goneril; Francia DiMase and Jen Dede as Regan; Rebecca Mozo and Tessa Thompson as Cordelia; Ramon
De Ocampo and John Sloan as Edgar; Daniel Bess and Seamus Dever as Edmund; JD Cullum and Stephen Caffrey as the Fool; Robert Pine and Norman Snow as Gloucester; Morlan Higgins and Gregory Itzin as Kent; Kevin Daniels and Adrian Latourelle as Cornwall; and John DeMita and Thomas Vincent Kelly as Albany. Rounding out the cast
are Adam Meyer, Brett
Colbeth, Gabriel Diani, Jeff
Doba, Drew Doyle, Jeff Gardner, Bruce Green, Jason Henning, John Francis O'Brien, Renata Plecha, Jeremy Shouldis and Paige
Wilson.
A multiple award-winning director, DeLorenzo is working with Antaeus for
the first time. "This is an opportunity to explore one of the world's
great plays with a company of actors who can do the work justice," he
says.
Adds Hackett, "Antaeus is unique because we do weeks, months,
sometimes years of exploratory work on a single play before even beginning to
rehearse. It's a very intensive and in-depth process, and perhaps one of the
reasons that many of our productions are so successful."
Set Design for King Lear is by Tom
Buderwitz; Lighting Design is by Lap Chi Chu; Costume Design is by A. Jeffrey Schoenberg; Sound Design is by John Zalewski; Prop Design is by Jen
Prince; Production Stage Manager is Deirdre Murphy; and Young Ji produces.
Bart DeLorenzo is founding Artistic Director of the Evidence Room in Los
Angeles where he has directed many plays over the last 15 years including local
and world premieres by Charles Mee, David Greenspan, Kelly Stuart, Philip K.
Dick, Gordon Dahlquist, Martin Crimp, David Edgar, Naomi Wallace, and Edward
Bond, as well as his own adaptation of Dickens' Hard Times, Chekhov's The Cherry Orchard, and Schiller's Don Carlos, among many others. His recent freelance work
includes the world premieres of Roberto Aguirre-Sacasa's Doctor
Cerberus and Donald Margulies' Shipwrecked!
An Entertainment at South Coast Repertory
(later revived at the Geffen Playhouse); the world premiere of Joan
Rivers: A Work in Progress by a Life in Progress at the Geffen; Sarah Ruhl's Dead Man's Cell Phone at South Coast Rep; Racine's Britannicus at Cal Rep; and Around the World in 80
Days at the Cleveland Playhouse. Most
recently, he directed Charles Mee's bobrauschenbergamerica for TheSpyAnts at Inside the Ford, Adam Bock's The
Receptionist and Caryl Churchill's A
Number at the Odyssey, and the world
premieres of Justin Tanner's Voice Lessons at the Zephyr, and Michael Sargent's The Projectionist at the Kirk Douglas. For his work, he has received
five LA Weekly awards and three Back
Stage Garlands.
The Antaeus Company, L.A.'s classical theater
ensemble, has a 19-year history of providing quality classical theater in Los
Angeles. Through productions, readings and workshops; through educational
outreach to the community; and through acting training programs for young
professionals, the Antaeus mission remains steadfast and simple: to keep
classical theater vibrantly alive in ourselves and in our community. Members of
the company and its board span a wide range of age, ethnicity and experience;
they have performed on Broadway, at major regional theaters across the country,
in film and television, and on local stages, and are the recipients of multiple
accolades including Tony, Los Angeles and New York Drama Critics Circle,
Ovation, LA Weekly, and Back Stage Garland nominations and awards.
King Lear is the centerpiece of The
Antaeus Company's 5th biennial ClassicsFest. Beginning July 6 and continuing
for six weeks through August 15, ClassicsFest offers an invigorating "summer
splash" of actor-initiated workshops, readings, and special events on
Tuesday, Wednesday and Thursday evenings and Saturday afternoons, including Peace
In Our Time by Noël
Coward; Les Femmes Savantes by Molière; Puntila and Matti by Bertolt Brecht; The Helen Fragments by Euripides and others; Les
Blancs by Lorraine
Hansberry; Arcadia by Tom Stoppard; The Malcontent by John Marston; Juno and the Paycock by Sean O'Casey; The Merry Wives of
Windsor by William Shakespeare; Faith
Healer by Brian
Friel; and The Capulets and Montagues by Lope de Vega. The Festival features over 100
actors, and all readings and workshops have a very accessible $10 ticket price.
King Lear has
two openings, each with a different cast, on Saturday, June 26 at 8 pm and Sunday, June 27 at 4 pm. Performances continue through August 8 on Fridays and Saturdays at 8 pm and Sundays at 2:30 pm
and 7:30 pm. There will be one
Thursday performance on July 1
at 8 pm, and no 7:30 pm
performance on Sunday, July 4.
Previews take place Tuesdays through Fridays at 8 pm, June 12 through June 25. Tickets
range from $30.00 - $34.00 except Opening Nights which are $75.00 and previews which are $20.00. The Antaeus Company's interim home is located in Deaf West Theatre, 5112 Lankershim Blvd., North Hollywood, CA 91601 (in the NoHo Arts
District). For reservations and information,
call (818) 506-1983 or visit online at www.Antaeus.org.
MORE‑MORE‑MORE
DETAILS FOR CALENDAR LISTINGS
KING LEAR
WHAT:
King Lear - The Antaeus
Company, L.A.'s
classical theater ensemble, presents its first full production of a Shakespeare
play, the second offering of the troupe's inaugural subscription season and the
opening of ClassicsFest 2010. This timeless masterpiece of domestic tragedy is a tale of
fathers and their unloved sons and daughters, of catastrophic change, and of
the individual at the mercy of a hostile world. Bart DeLorenzo directs renowned scholar, actor and
Antaeus founding artistic director Dakin Matthews and
Broadway veteran/three-time Tony nominee Harry Groener, who are double cast in the title
role.
WHO:
Written by William
Shakespeare
Directed by Bart DeLorenzo
Ensemble:
Daniel Bess, Stephen Caffrey, JD Cullum, Kevin Daniels, Ramon DeOcampo, Jen Dede, John DeMita, Francia DiMase, Allegra Fulton, Harry
Groener, Morlan Higgins, Gregory Itzin, Thomas Vincent Kelly, Adrian Latourelle, Dakin Matthews, Rebecca Mozo, Robert
Pine, Kirsten Potter, John Sloan, Norman
Snow, Tessa
Thompson
Also featuring:
Adam Meyer, Brett Colbeth, Gabriel Diani, Jeff Doba, Drew
Doyle, Jeff Gardner, Bruce Green, Jason
Henning, John
Francis O'Brien, Renata Plecha, Jeremy Shouldis Paige Wilson
WHEN:
Previews: June 12 - June 25
Performances: June 26 - August 8
Tuesdays at 8 pm: June 15, 22
(previews)
Wednesdays at 8 pm: June 16, 23 (previews)
Thursdays at 8 pm: June 17, 24 (previews); July 1
Fridays at 8 pm:
June 18, 25 (previews); July 2, 9, 16, 23, 30; August 6
Saturdays at 8 pm: June 12, 19
(previews); June 26 (Opening); July 3, 10, 17, 24, 31; August 7
Sundays at 4 pm:
June 13, 20 (previews); 27 (Opening)
Sundays at 2:30 pm: July 4, 11, 18,
25; August 1, 8
Sundays
at 7:30 pm: July 11, 18, 25; August 1, 8 (dark July
4)
WHERE:
THE ANTAEUS COMPANY
Deaf West Theatre
5112 Lankershim Blvd.
North Hollywood CA 91601
(one block
south of Magnolia - ample street parking)
HOW:
(818) 506-1983 or www.Antaeus.org
TICKETS:
Opening Nights*
(June 26 & 27): $75
Thursday, Friday and Sunday night: $30
Saturday night and Sunday matinee: $34
Previews: $20
ClassicsFest Workshops and
Readings: $10
*Antaeus
has two opening nights, as all productions are fully double-cast.
### |
